The silent world of the film Cuban, which permeates not metaphorical images destined for scanners film or certain select group of men of cinema, but the large social layers, is immersed in a search for new forms of revaluation of the cinematographic language towards aspects of everyday life as always, but with another way to express the same concepts that surround modern Cuban society, and other relevant aspects of earlier societies. In our film work, in which great personalities of Cuban cinema, drove this artistic manifestation, regarded as one higher art (seventh art), you can see the use of repetitive problems as: machismo linked to the incorporation of women to work, takes it consciousness of social strata regarding the phenomenon which proposes the construction of socialism in Cuba, the situation of the Cuban family with the rupture of the revolutionary process and their exodus to the United States of America, the history of the country view through situations, characters, events, battles, and historic moments, as well as situations of everyday life in which are: credit default swaps, the love of adolescent, young and elderly, etc. That repetitive use of analogous issues might think that they cannot impact the Viewer, and films not be a box office success. For this reason, that in each new film-making, there is a commitment by the writers, and part of its directors, in get to surprise viewers under the same theme, but with another way of telling similar stories. Do not think that the influx of Hollywood-style arguments, telling us with an international Latin American film school, achieve melodramatic arguments hollywodenses, or which are not so distant from that kind of cinema, when in our cultures has existed a penetration by that type of film, and as the way to express the hero, under the vision of socialist realism, with open end, for reflection has been a little forgotten.
Aug 15